MOA Museum of Art
Corian® Glasa White is chosed to accomplish and fabricated seamlessly in three dimensions for illuminate counter.

The MOA Museum of Art is located on high ground in Atami City, Shizuoka Prefecture. In addition to the valuable National Treasures and Important Cultural Properties in its collection, this museum is popular for its location with panoramic views of picturesque Sagami Bay, and it has welcomed many visitors since its opening. The building was designed to blend in with the surrounding natural environment. Another famous feature of this facility is Art Street, the 200-meter-long space connecting the entrance at the foot of the mountain with the Main Building on its summit. Visitors travel 50 meters up an underground tunnel on escalators to approach the museum.

The entire museum was renovated and reopened in February 2017, its 35th anniversary. Some improvements were also performed on the Art Street entrance hall, and an illuminated counter made from Corian® was installed.

We spoke with Messrs. Yasuhiro Tachibana, Hideki Yamachika, and Kazuhisa Tozawa of Takenaka Corporation, who were involved in the design and construction for Art Street and other improvements.

Mr. Tachibana said, “One issue was that the entrance hall is actually located rather far back, so it looked dark from outside and made it hard to tell if the museum was open. At first we considered ideas such as lighting the entire wall to improve visibility.” However, the existing

floors and walls are covered in stone and the ceiling is made from concrete paneling, which results in a dignified look. In the end, an idea was adopted to resolve this challenge by utilizing the existing space while installing an illuminated counter in the center of the hall as a way to create a completely different atmosphere.

“I thought about the image of placing a white-porcelain vessel made in the ‘hotarude’ method that lets light through,” said Mr. Tozawa. Together with brightening up the space, the design concept involved using the counter itself to express the concept of welcoming visitors. Mr. Yamachika said, “I thought that using all-over lighting rather than partial lighting on the counter

Mr. Yamachika said, “I thought that using all-over lighting rather than partial lighting on the counter would make it into a work of art and give a fresh impression. We chose Corian® because this material can accomplish this and can be fabricated seamlessly in three dimensions.”

The team paid particular attention to the lighting method. The light source was placed at the base of the counter with a sense of gradation, which makes the counter seem like it is floating rather than giving it a heavy look.

“Our goal was to make the counter purposefully look like an exhibited object, rather than having it blend into the existing space. The feel of the material is abstracted thanks to the lighting, and the counter itself appears like an illuminated work of art. I think this gives it a presence that isn’t lost in the dignified, stone-covered space,” said Mr. Yamachika.

Reception counter constructed by Nohara Engineering Co., Ltd, and Corian® fabricating is coorperated by Apex Co., Ltd.

This illuminated counter lights up the entire hall and transforms the entrance into a space that enhances the feeling of expectation towards the MOA Museum of Art Main Building atop the mountain. It seems accurate to say this case study shows how the power of design showcased to the maximum degree the potential of remodeling that can completely change the image of a space even without doing large-scale improvements, and also the expressive ability of Corian®.

Measures were taken when placing the light source and creating the counter structure to give the light a subtle gradation and ensure that the structure casts no shadows. The team made multiple adjustments while consulting with Apex, the company that provided cooperation for processing. Mr. Tachibana said, “Thanks to this, the finished counter fulfills nearly all of our expectations.”

  • At the 3F ticket counter, the interior counter only was switched to Corian® Private Collection Gray Ripple. The exterior counter is made from kansuiseki

  • The newly built restroom counter in the museum’s Tea Room is made from Corian® Private Collection Ecru, which matches well with the unfinished wood.
  • A door made from Corian® Private Collection Gray Ripple was also installed at the 2F reception counter, which is made from kansuiseki.

In addition to the counter in the Art Street entrance hall, Corian® was used in other parts of the MOA Museum of Art renovation work. As shown in the photographs above, this material is extremely easy to use when making partial renovation to existing construction because it comes in a wide range of colors and patterns and is easy to process according to different dimensions and shapes.

For instance, Corian® Private Collection Gray Ripple was chosen for the partial improvement to the ticket counter made from kansuiseki, a type of white marble produced in Japan that is hard to come by today, because the color and pattern of this material had a similar look.

In this way, the broad color and pattern lineup offers more choices, whether trying to blend in with existing materials or purposefully using colors of contrasting shades and looks as accents. One can create varied atmospheres by combining this material with existing components.

When doing work in existing buildings, often there are limitations on the sizes of objects that can be brought in and installation methods. Another reason Corian® is an ideal material for renovation is that it can be carried in parts and seamlessly adhered on-site.

Nearly all renovation design plans pose challenges that must be resolved regarding the current facilities and structures, such as ease of use, design, and durability. Corian® can meet even stringent requirements of various types, including functionality, durability, fabricability, material feel, design qualities, and its wide lineup of colors and patterns to choose from.

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